Her work brings to light the little known and often marginalized lives of female Hindu ascetics (sadhus) in the North Indian state of Rajasthan.
This volume engages place through the movement of objects, the evocation of senses, desires, and memories and the on-going project of articulating the parameters of place and location.ĭrawing on ethnographic research spanning ten years, Antoinette Elizabeth DeNapoli offers a new perspective on the practice of asceticism in India today. The chapters take on the question of place as it operates in more obvious settings, such as architectural monuments and exhibitionary contexts, while also probing the way place operates when objects move or when the very place they exist in transforms dramatically. The eleven chapters brought together here move from the early modern through to the contemporary, and span particular monuments and locations ranging from Asia and Europe to Africa and the Americas. The particular nexus for this collection lies at the intersection and overlap of two major subfields in the history of art: South Asia and the Islamic world, both of which are seemingly geographically determined, yet at the same time uncategorizable as place with their ever-shifting and contested borders. The chapters in this interdisciplinary volume investigate place in all of its dynamism and complexity: several call into question traditional constructions regarding place in Art History, while others explore the fundamental role that place plays in lived experience. And yet, place also limits the questions art historians can ask and impairs analysis of objects and locations in the interstices of established, ossified categories. Place plays a fundamental role in the structuring of the discipline of Art History. It would also fulfil requirements of the candidates for competitive examinations in which Ancient Indian History and culture is a prescribed subject. It would meet the needs not only of general readers but also of earnest students who require a thorough grasp of the essential facts and features before taking up specialized study in any branch of the subject. Political theories and administrative organizations are also discussed but more stress has been laid on the religious, literary and cultural aspects of Ancient India. The work describes the political, economic, religious and cultural conditions of the country, the expansionist activities, the colonisation schemes of her rulers in the Far East.
The work is divided into three broad divisions of the natural course of cultural development in Ancient India: (1) From the prehistoric age to 600 B.C., (2) From 600 B.C. This is a comprehensive, intelligible and interesting portrait of Ancient Indian History and Civilization from a national historical point of view.
Such history as yours will be a valuable addition to students and researchers.” Neelabh Pandit, Associate Professor, English - Alwar, Rajasthan Although not a student of history, yet the stories of valor, beauty, intrigue and war excite me. RECOMMENDATION: “The history of Rajasthan is so colorful, vibrant and eventful it needs to be recorded with love and care. “Rajput” reads with the ease and pleasure of a work of fiction, yet every detail, inference, and fact has been meticulously researched revealing, as yet, the untold wonder of an amazing past that would otherwise be left smoldering in its own ashes. Many too are the Rajput women whose presence alongside their warriors shaped the course of destiny, unhesitatingly, choosing death to dishonor. Many are they who fell, steel in hand so to prevent their Kingdom, Mewar, from being conquered by the invader. Many are the names of valiant Rajputs that have been heralded through the ages from father to son.
Maharana pratap episode 538 code#
A Rajput is set apart from other warriors by his chivalrous code of honor and tradition. “Son of a King!” So the name of “Rajput” signify and the scenario where the adventures of these invincible warriors becomes enacted is “The Land of Kings” as the name of Rajasthan embodies.
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